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By Joanna Merwood-Salisbury, Kent Kleinman, Lois Weinthal

Kent Kleinman, Joanna Merwood-Salisbury, Lois Weinthal (eds.)

What is flavor? This well-curated assortment files new theories and rising severe practices within the box of inside layout. It investigates style, an idea critical to the formation of the self-discipline within the eighteenth century that used to be repudiated via architects within the early 20th century, yet which keeps to play a tremendous position in inside layout this present day. Essays through historians and critics are complemented through interviews with practitioners at the margins of normative perform and portfolios of the paintings of up to date designers.


"This clean, perceptive, and provocative examine our occupation merits a large audience." --Interior Design

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Extra resources for After Taste: Expanded Practice in Interior Design

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The field’s episodic and earnest attempts to selectively distance itself from its own history—to posit a state of affairs “after taste”—are in response to charges of subjectivism, elitism, and classism that cling to the history of eighteenth-century enlightenment itself; who, after all, but wealthy white English gentlemen or German philosophers had the time and comfort to contemplate with utter disinterest objects of beauty in the world? ”21 We could stop here. But Gronow offers a further elaboration on the sensus communis and taste that is worth considering in the context of interior studies.

290. , 291. 17 For one of my attempts to demonstrate the possibility and significance of nondiscursive cognition see my Against Voluptuous Bodies: Late Modernism and the Meaning of Painting (Stanford, CA: Stanford University Press, 2006). 53 Tast y Outside In/Inside Out: A Short History of ( Modern ) Interiority Anthony Vidler Outside/In In a conversation, that in its published form lasted all of 127 years, three philosophers of the early Enlightenment, René Descartes, John Locke, and G. W. Leibniz, discussed the nature of the human mind and its ways of understanding.

A visit by Princess Margaret and Lord Snowden [sic] to Greentree. . prompted the freshening of the entire guest wing, including, for the royal visitors, two bedrooms, a sitting room, and bath. . 10 This is not Gustave Flaubert, but rather Albert Hadley. This is a form of descriptive narration that is able, as architectural writing rarely can, to reflect an interior state and social narrative by intricate attention to telling details. Flaubert of course regularly used just such descriptions of the interior: .

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