By G. Yazdani
Ajanta; the color and monochrome reproductions of the Ajanta Frescoes in line with images, with an explanatory textual content by means of G. Yazdani, and Appendices at the Painted and Incised Inscriptions via N.P. Chakravarti and B.Ch. Chhabra
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Extra resources for Ajanta : monochrome reproductions of the Ajanta frescoes based on photography. Text
Spittoon) may be noticed below the throne, and there is a metal water-jar with chased work to the right. 39 THE HAMSA jA T A K A , OR THE STORY OF THE GOLDEN GOOSE Plate X V II a -b The story is painted on the left wall and the adjoining pilaster of the front corridor, to the right of the cell-door, in Cave X T I l.
The painting is much damaged, but such figures as arc intact show a firm outline and also washes o f deep colour to give the impression o f figures in the round. The leaves o f trees have been painted green, but their edges and texture arc cleverly tinted dark or light to add to the artistic effect. THE WHEEL 01- SAMSARA (? ) Plates IV a -V IIa The subject is painted on the left w all of the veranday above the eelt-doory in Cave X V II. 1 But as the figures bear no resemblance to the signs o f the Zodiac, and as the outer rim o f the wheel when complete would have been divided into sixteen compartments1 and the main circle into eight, the identification has proved to he fallacious.
The incident is not mentioned in the "Jataka and appears to be a later addition to the story. The fourth episode is the court-scene in which the rani faints at the sight of the tusks of the benevolent elephant, who was her husband in his previous birth. She is shown stretched on a couch, supported from behind by the raja. Two round pillows with circular designs at their ends may be seen at the head of the couch, behind the raja. The couch has short carved feet of a plain type, but its frame has a creeper design.