Download Digitize This Book! The Politics of New Media, or Why We by Gary Hall PDF

By Gary Hall

Within the sciences, the advantages and ramifications of open access—the digital publishing version that offers readers unfastened, irrevocable, world wide, and perpetual entry to research—have been vigorously debated. Open entry is now more and more proposed as a legitimate technique of either disseminating wisdom and occupation development. In Digitize This ebook! Gary corridor offers a well timed and bold polemic at the power that open entry publishing has to remodel either "papercentric" humanities scholarship and the establishment of the college itself. corridor, a pioneer in open entry publishing within the humanities, explores the hot chances that electronic media have for creatively and productively blurring the bounds that separate not only disciplinary fields but in addition authors from readers. corridor focuses particularly on how open entry publishing and archiving can revitalize the sector of cultural reports through making it more straightforward to reconsider academia and its associations. while, via unsettling the methods and different types of scholarship, open entry increases broader questions on the function of the college as an entire, forcefully hard either its proven id as an elite ivory tower and its newer reinvention below the tenets of neoliberalism as wisdom manufacturing facility and revenue heart. carefully interrogating the highbrow, political, and moral implications of open entry, Digitize This booklet! is an intensive demand democratizing entry to wisdom and remodeling the constructions of educational and institutional authority and legitimacy.

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Read Online or Download Digitize This Book! The Politics of New Media, or Why We Need Open Access Now Series (Electronic Mediations, Volume 24) PDF

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Extra info for Digitize This Book! The Politics of New Media, or Why We Need Open Access Now Series (Electronic Mediations, Volume 24)

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The International Journal of Cultural Studies, the European Journal of Cultural Studies, Cultural Studies<=>Critical Methodologies, the Journal of Visual Culture, the Journal of Consumer Culture, and Crime, Media, Culture are just some of the titles that have appeared in the cultural studies field in recent years from Sage alone. Still, a shortage of funds produced by decreasing budgets and the rapidly increasing costs of scientific, technical, and medical journals has meant that, far from expanding the number of periodicals they take, many university libraries are unable to sustain their current holdings.

0 for the moment (though I return to them 41 42 W H Y A L L S C H O L A R S H I P S H O U L D B E AVA I L A B L E in chapter 4) and play a game of science fiction instead. Let’s imagine that at some point in the not too distant future it is going to be possible to have an academic equivalent to Napster, eDonkey, Gnutella, FastTrack, and BitTorrent. 0? As I imagine the majority of those who have recently either taught or studied in a university will be only too aware, the system of higher education that operates in many countries today is one in which an expansion of student numbers has gone hand in hand with a decline in the number of books per student that are provided by university and college libraries.

For Poster, despite sensing the “need to account for differential materialities of the media,” Derrida “tends to preserve the philosopher’s taste for the general over the cultural analyst’s penchant for the particular,” providing “strings of hyphenated terms, ‘tele-technology’ or ‘techno-scientifico-economico-media,’ that vaguely point in a direction without guiding the virtual traveller in any particular direction” (Poster 2001a, 140–41). Certainly, one of the main criticisms anyone M E TA DATA I dealing with the impact of digital technology risks facing nowadays is that he or she is talking about some rather vague and general possible future consequences of new media, without examining particular material instances of digital culture in detail; or, in this case, without pointing to what a digital cultural studies (as opposed to yet another cultural studies analysis of the digital) or a digital institution might actually look like, what forms it could actually take.

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